How the artists in this year's survey do or, more often, don't acknowledge those who paved the way for them. Machado makes pieces that one might call documents of reverence, excavated burial grounds. If nothing else, the 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer (at the Whitney Museum through August 23rd), introduces viewers to what I call ChatGPT art--facsimiles of facsimiles by makers who have little if any relationship to what they're putting out there, aside from its being a product in service of a career. Indeed, it's difficult to think of the people who grew up with and apparently condone the use of A.I. sources in the creation of "art" as artists themselves, especially if you define art as a creative expression of thoughts or feelings that have changed, and contributed to the vision of, the artists who made it. It's true that, nearly from the beginning, postmodern art challenged the notion of originality, or, more specifically, the weight of originality--often with great joy and wit and not a little fear.

How Bad Is Plagiarism, Really? From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously blurry. One pleasing facet of plagiarism is that, in the eyes of the law, it doesn't exist. I could come over later, bring a few beers, and we could, you know, get down to some serious humanizing. Hard to resist, these days, given what's at stake. For students with assignments to complete, who have already vanquished their desolation by asking ChatGPT to compose an essay on their behalf, a humanizer is an A.I. tool that takes what has been produced, puts it through a further digital mill, and makes it sound as if it had emerged from a verifiable person. Among the companies that offer such tools are StealthWriter, HIX AI, and QuillBot. Anyone who has buttered and blitzed a mountain of mashed potatoes into a purée will understand.

The skills needed for wrapping up aren't always what you expect. My house contains a vaguely defined room--a parlor-like space that was created by a renovation decades ago. After my son was born, it served as a playroom, full of baby and toddler toys. Then it became a nook where, late at night, my wife and I could listen to music and read. That equilibrium held until the Legos and board games arrived; their incursion was the beginning of the end.

The reported use of Claude in recent military operations has shifted the Overton window around A.I. in warfare--and sparked a battle between Anthropic and the Department of War. The staff writer Gideon Lewis-Kraus joins Tyler Foggatt to discuss the escalating standoff between the A.I. company Anthropic and the Department of War. They consider recent reporting on the use of Claude--Anthropic's family of large language models--in military operations in Venezuela and Iran, and how that news has pushed the company's relationship with the Pentagon to a breaking point. They also explore how the tech industry is responding to the conflict between the Trump Administration and Anthropic, and the thorny question of whether A.I. should be subject to greater safeguards and more oversight than previous technological innovations. " The Pentagon Went to War with Anthropic. " The Iran War Is Another Reason to Quit Oil," by Bill McKibben " How Should We Remember the Hippies?

In the age of A.I., the term has become as much of a Silicon Valley cliché as "disruption" was in the twenty-tens. With artificial intelligence continuing to dominate corporate strategies and news headlines, Silicon Valley has embraced a new buzzword, one that may feel too close to home for those already feeling embattled by automation. That word is "taste," and in recent months it has become as much of a tech-world cliché as "disruption" was in the twenty-tens. The esteemed technologist Paul Graham posted on X, "In the AI age, taste will become even more important." Koen Bok, a founder of the booming A.I. design tool Framer, said on a podcast that "great taste" is what will create the best new products.

After the rise (and fall) of reservation scalping, DoorDash and a host of apps are fighting to book you a seat at the country's most exclusive restaurants. At The Eighty-Six in Manhattan, exclusivity is the point. The luxe, 11-table steakhouse is the sort of place that lavishes caviar and aged mimolette cheese on its potatoes, and crows that your market-price duck was raised by one Dr. Taylor Swift has reportedly dined there in a Miu Miu skirt. Reservations are a scarce commodity that the restaurant, and New York law forbids you from selling one. "Access is the main asset," wrote food writer Helen Rosner in a recent New Yorker review of The Eighty-Six. "The product is the door, and what a door!

In the third season of "The Comeback," Kudrow has brought back her character Valerie Cherish, which had its roots at the Groundlings. A visitor to Stage 24 on the Warner Bros. lot, in Burbank, last November could be forgiven for thinking that the television show being filmed there was a sitcom called "How's That?!" The parking spaces outside were marked with "How's That?!" signs. Inside, director's chairs with the "How's That?!" logo were arranged around video monitors. The set--a New England bed-and-breakfast, with kitschy floral wallpaper--was surrounded by sitcom cameras and buzzing crew members wearing headsets. A studio audience filed into the bleachers, and a warmup comic urged them to "shake those funny bones." Then, with mounting gusto, he introduced the star of "How's That?!": "Here she is . . . the one and only . . . the living legend . . . She emerged to applause, in a potter's smock, wavy red hair under a bandanna, looking like a cross between Lucy Ricardo and Mrs. Garrett ...

Our study of 22 mitigation techniques and five baselines reveals up to 12.6% fairness variance across identical training runs with identical seeds.

Horrifying next twist in the Alexander brothers case: MAUREEN CALLAHAN exposes an unthinkable perversion that's been hiding in plain sight Alexander brothers' alleged HIGH SCHOOL gang rape video: Classmates speak out on sick'taking turns' footage... as creepy unseen photos are exposed Model Cindy Crawford, 60, mocked for her'out of touch' morning routine: 'Nothing about this is normal' Kentucky mother and daughter turn down $26.5MILLION to sell their farms to secretive tech giant that wants to build data center there Tucker Carlson erupts at Trump adviser as she hurls'SLANDER' claim linking him to synagogue shooting NFL superstar Xavier Worthy spills all on Travis Kelce, the Chiefs' struggles... and having Taylor Swift as his No 1 fan Heartbreaking video shows very elderly DoorDash driver shuffle down customer's driveway with coffee order because he is too poor to retire Amber Valletta, 52, was a '90s Vogue model who made movies with Sandra Bullock and Kate Hudson, see her now Nancy Mace throws herself into Iran warzone as she goes rogue on Middle East rescue mission: 'I AM that person' Hidden toxins in kids' treats EXPOSED: Health guru Jillian Michaels' sit-down with Casey DeSantis reveals dangers lurking in popular foods An earthquake rattled parts of the New York City region Tuesday morning, sending tremors through communities just north of the city. The 2.3-magnitude quake struck near Sleepy Hollow, New York, at around 10.15am ET. The epicenter was located roughly 25 miles north of New York City and about 4.5 miles beneath the surface. Within minutes, more than 1,000 people reported feeling the shaking, with residents across Westchester County submitting reports to the US Geological Survey (USGS). New York City Emergency Management said in a statement: 'Earthquakes of this size are typically minor and rarely cause damage, but some people in nearby areas like the Bronx may have felt brief shaking.

For decades, handmade narco subs have been some of the cocaine trade's most elusive and productive workhorses, ferrying multi-ton loads of illicit drugs from Colombian estuaries toward markets in North America and, increasingly, the rest of the world. Now off-the-shelf technology--Starlink terminals, plug-and-play nautical autopilots, high-resolution video cameras--may be advancing that cat-and-mouse game into a new phase. Uncrewed subs could move more cocaine over longer distances, and they wouldn't put human smugglers at risk of capture. And law enforcement around the world is just beginning to grapple with what this means for the future. This story is from the next print issue of magazine, which is all about crime. Google DeepMind is calling for the moral behavior of large language models--such as what they do when called on to act as companions, therapists, medical advisors, and so on--to be scrutinized with the same kind of rigor as their ability to code or do math.